So... you seem to be under the impression that because by Momiji being the "Holmes", this reference isn't a 100% perfect allusion, thus this interpretation is incorrect, thus it has to mean something else. Right? I'm not misinterpreting your core argument in any way, yes?Zerozaki4869 wrote: It only gives away that Momiji was the one who relayed the correct deductions to Iori over the phone. It doesn't prove that Iori is playing Watson to Momiji. To the contrary it proves Iori is the live-in assistant of an eccentric armchair detective and is on the payroll of the said detective(when it gets revealed that Iori is the butler and all).
Which nullifies the assumption that he's Watson to Momiji playing Holmes. Holmes and Watson were two flatmates, Watson wasn't Holmes' butler, Watson wasn't Holmes' employee, he accompanied Holmes only to get his kicks not because he was Holmes' employee.
So Iori being Watson to Momiji's Holmes is a logically flawed simile and very uncharacteristic of Gosho. What I find interesting is that by using Momiji, Gosho is very well covering his tracks about the usage of "Wada Shinichi".
Any unsuspecting reader would be happy to think Momiji is Holmes and drop the issue, but what he'll fail to explain that Gosho in-spite of being a logical, fair and consistent storyteller is convoluting Holmes' realationship with Watson just over the usage of a fake name of a side character? Why would Gosho go out of his skin to project a forced Holmes-Watson relationship on Iori and Momiji only to justify a fake name's use by Iori. I find it a very low probability assumption.
Thet's why I'll stick to my interpretation that Iori is Archie Goldman to Momiji's Nero Wolfe and Iori is Watson to Rum's/Chikara's Holmes.
Assuming I'm not, you are putting frankly all of your bets on your interpretation of a reference which is a very flimsy argument and is pretty much grasping at straws. You say it's uncharacteristic of Gosho to not be 100% perfect with a reference? Okay then, let's take a look at this other thing Gosho kept making references to.
Sayla and Char do not have another sibling in Gundam (but we have Shuukichi)
Sayla's and Char's parents are dead by the time the first Gundam series begins (but we have Mary, and quite possibly the dad's alive too)
Char is an antagonist (Akai isn't)
When fiction writers make references to other things, they're not obligated to carry on all the subtle nuances of those things they are referencing. You are choosing to read way too much into a few panels that make it very clear what they were going for.
Besides, in that case with Pisco, Gosho screwed up Sherrinford and thought it was Shellingford, so not sure why you're insisting on holding Gosho to such high regard when it comes to these things in the first place.