Swagnarok wrote:^Is that the "Detective boys get trapped in the back of an eighteen-wheeler with a corpse while Haibara was wearing a yarn sweater" case?
The case you're referring to is Episode 722 and Episode 723 (2013):
The animation style of this picture, however...
Walbuls wrote:
...is from the time when Masato Sato was sole director (Episode 333–Episode 504; 2003–2008). So this picture is from an episode in that range.
“Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable.”
“Education never ends... it is a series of lessons, with the greatest for the last.”
― Arthur Conan Doyle, The Complete Adventures of Sherlock Holmes and His Last Bow
"I have decided to stick to love... hate is too great a burden to bear."
— Martin Luther King Jr. (A Testament of Hope: The Essential Writings and Speeches of Martin Luther King, Jr)
Swagnarok wrote:^Is that the "Detective boys get trapped in the back of an eighteen-wheeler with a corpse while Haibara was wearing a yarn sweater" case?
The case you're referring to is Episode 722 and Episode 723 (2013):
The animation style of this picture, however...
Walbuls wrote:
...is from the time when Masato Sato was sole director (Episode 333–Episode 504; 2003–2008). So this picture is from an episode in that range.
Swagnarok wrote:^Is that the "Detective boys get trapped in the back of an eighteen-wheeler with a corpse while Haibara was wearing a yarn sweater" case?
The case you're referring to is Episode 722 and Episode 723 (2013):
The animation style of this picture, however...
Walbuls wrote:
...is from the time when Masato Sato was sole director (Episode 333–Episode 504; 2003–2008). So this picture is from an episode in that range.
Heh. I always noticed that from the late 200s until the early 500s there was this distinct animation style, but I never knew why until now, lol. I always just assumed that early digital animation techniques employed by the D.C. anime producers were primitive. Thanks.
Hope you didn't leave before seeing this, sherrycool80... because looking though 171 Episodes for just one scene, that's... yikes...
Swagnarok wrote:Heh. I always noticed that from the late 200s until the early 500s there was this distinct animation style, but I never knew why until now, lol. I always just assumed that early digital animation techniques employed by the D.C. anime producers were primitive. Thanks.
No prob'!
“Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable.”
“Education never ends... it is a series of lessons, with the greatest for the last.”
― Arthur Conan Doyle, The Complete Adventures of Sherlock Holmes and His Last Bow
"I have decided to stick to love... hate is too great a burden to bear."
— Martin Luther King Jr. (A Testament of Hope: The Essential Writings and Speeches of Martin Luther King, Jr)