xGinx wrote:
and exactly How DC is Logical??
My bad. I mixed up words. What I meant to say is "realistic", better yet "fairly realistic"
ShiraKiryuu wrote:
So the FBI trusting a 7 year old logical?
Bending the rules for the main character - The story has to go on people! In other words, it has been done before by others. Or, it's the main character, you will ALWAYS have to bend the rules in some way. Or, been there, done that (well, I don't recall a specific issue in which I somehow bended the rules for the sake of my main character, but in my eyes, my current work is perfect, so
I won't be able to find flaws in it)
Bending the rules for a character that isn't needed in any way for the end of DC - what's the point?
Some characters are meant only for the arc they were in (I.E. Araide). After having nothing to do with them, the best thing a writer can do is either kill them or get rid of them.
Sending Eisuke with a dream to join the CIA - A wonderful way to get rid of a character and still show the character has some more depth left, or "story"
Sending Eisuke to actually join the CIA and come back - again, the point?
ProfParanoia wrote:
But he can bend so many rules of the FBI, like lieing to the police of their existence while trying to capture numerous criminals?
Yet we don't see highschool FBI members. Why? Because it doesn't make any sense (and if someone is going to say "since when does DC make any sense?" well..........good for them)
Highschoolers don't and can't become FBI members or CIA agents. Even if they did, they would still have to spend a lot of time in training before they can actually be a field agent. Since a year didn't even pass in DC, and the fact that Eisuke left no too long ago, bringing him back in, as a CIA member would be stupid. Any adult CIA agent who knows japanese would probably make a better candidate than Eisuke. Heck, sending him in will endanger his sister much more than it would help her.
xGinx wrote:
Or how about an unknown drug turning teenagers into Grade School boys??
You mean the fantasy/scifi element-plot-device that was forced into a story with fairly realistic settings in order to actually have the current story we have now? (I can't really pick if its fantasy or scifi. Gosho obviously tried to present it with science, but he fails, and some tricks are impossible as well)
Just because I have a romance going on in my story, doesn't make it a love story. Just because Gosho has fantasy/scifi element, doesn't make his story a fantasy/scify story.