
Dus wrote:The sad part is that I'm still saying the movie writers just make shit up to suit the plot without regard for continuity and that your hostility had nothing whatsoever to do with me double-checking these pages.![]()
In fact, it almost made Trevyoni shy away from posting and telling me that Shinichi's theoretical knowledge is greater than I had remembered it to be. The fact that he couldn't play/sing an instrument if his life depended on it still stands. Which movie 12 clearly f***ed up.
Dus wrote:And it is established in volume 15 that he cannot sing and in Movie 12 he can perfectly hit notes.
Dus wrote:I stand corrected, still doesn't mean he can play a musical instrument though.
Treyvoni wrote:Now, I'm sure I remember a page from the manga that showed Yukiko poking away at the piano and teaching young Shinichi about some music basics, but I cannot find it. In addition, to source something we've been mentioning throughout this thread, the Stradivarius case in volume 46, file 474/chapter 6, page 17.
Nyarl wrote:It's in the same case, last page of 46.5(473) and 13th page of 46.6(474). Not sure whether she was trying to teach him or he just asked her about chords while she was playing in general. (I think she was trying to teaching him the scale.)
Dus wrote:Strangely enough, I think Conan is singing there, (46.5) or trying to since he's opening his mouth really wide.

kkslider5552000 wrote:I was gonna say that doesn't make him much of a flawed character outside of one fairly minor detail but than I remembered your brilliant essay-like post of Shinichi's character development and how his ego was a legit problem for him during Desperate Revival. That was easily one of the best things written on this forum ever.
This is really one of those things that I believe either Gosho's that good at subtle character...things and just subtlety in general (which seems like something good to know as a mystery writer) or we are all just thinking way too much. Or maybe both.
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